From the studio No.29 (4th Feb 2024)

It’s 4th of February as I write this and the new year has careered into place, there is always a settling in period I find and a hopeful promise of snow. This is just a short missive to let you know a bit about the current exhibition that I have a piece of work in.

Prosodic Chapters Of Immanent Silence 2022

Oak gall ink and gesso on panel ; 122x122cm

The above painting has been accepted into the Visual Arts Scotland - Then and Now: 100 Years of VAS at the Royal Scottish Academy.

I am excited and grateful to have my painting included in this landmark exhibition. It's a substantial piece at 122 x 122cm and was selected from over 1500 entries. 242 artists will be showcased. Using my signature paint, made from locally foraged oak galls, I have made the painting with traditional gesso on sustainable poplar wood panel.


A little background history - Who are VAS?

On a winter’s eve in Edinburgh, 1924, Visual Arts Scotland (VAS) held their first-ever meeting, becoming early pioneers of inclusivity within Scotland’s artistic landscape. One-hundred years later, the organisation has grown into a leading platform for national and international artists and now celebrates its centenary with a year packed full of opportunities for its members. To kick off 2024’s celebrations, VAS are holding their biggest-ever exhibition at the Royal Scottish Academy in Edinburgh, showcasing work from the finest contemporary artists across Scotland and beyond. THEN AND NOW: 100 YEARS OF VISUAL ARTS SCOTLAND will showcase over 300 artworks, with art ranging from ceramics, paintings, mixed media, photography, sculpture, and a variety of contemporary art forms.

VAS has seen a lot of growth and change over the past 100 years. The organisation began as The Scottish Society of Women Artists in 1924 with the aim to empower women after their contribution to the war effort. In the early 90s, the organisation’s name changed to Scottish Artists and Artist Craftsmen to embrace the high-quality experimental crafts taking place.


The painting has already been collected by courier and I head off to Edinburgh next week to join it and shmooze with the best. Hmm, now the next problem…what to wear.

STUDIO JOURNAL 9

From 1st May 2022 newsletter.

After much clearing space and decision making, the studio partition wall is down. The space has completely changed dynamics and I no longer ‘walk like an Egyptian’ to get in. Incase you don’t get it, I just quoted a song title - I’m now prompted me to look up the video on Youtube AND share it with you! The Bangles - Walk Like An Egyptian

Below are some photos showing progression of the studio interior wall dismantle.

Plaster board off

Posts and strengthening beam in, white paint next.

With this renewerd space I can start creating work for my solo exhibition at Elysium Gallery, a public gallery space in an old nightclub in Swansea, Wales, so lots of different and interesting spaces to fill. I’ve all sorts of ideas, including a 3-D painting installation, so now in the studio I can stretch out a little more. It’s very exciting.

However, I am in desperate need for a more permanent studio and painting store. Currently my work is stored in a static caravan, it isn’t ideal but it is somewhere seperate to the work space. I regularly empty two dehumidifiers and just recently I encountered a second leak. I’d say that storage is always an issue for artists, the work often takes up half of a studio space. So with this new leak I have lost a further 8 works on paper plus their frames. The previous flood brought damage to many large canvases.

Sharing a less glamorous side to being an artist, here is one of the damaged works, from my Ash Series.

Sooo, away from the Gloom…

I’ve been reading about quantum science and the quantum field for sometime through the work of Dr. Joe Dispenza, he also covers epigenetcs, neuro-science and meditation. It’s so interesting. When I start working on a series I don’t look at anyone else’s work but I read, including artists writings. I’m re-reading books In Praise Of Painting by Ian MacKeever RA, Resistance & Persistence Selected Writings by Sean Scully. I’m thinking I’ll look out my book of Bridget Riley’s writings, she writes with such insight on her own work and of other artists’. The new publication by Pace Gallery, Agnes Martin - The Distillation Of Colour, has arrived today. I am so looking forward to reading it. I’ve also been watching videos on Youtube of Brice Marden talking about his work. There’s such an incredible archive online. 

This week I’ve been making composition drawings and working out ideas for paintings for my solo exhibition in 2023. They're part of an Energy Field and Mapping series.

Artist studio table showing lots of drawings using botanical pigment.
Artist drawing using botanical ink

Mapping 1, botanical ink on etching paper, 23x24.5cm

Artist drawing on paper using botanical ink

Mapping 3, botanical ink on etching paper, 23x24.5cm