From the studio No.29 →

It’s 4th of February as I write this and the new year has careered into place, there is always a settling in period I find and a hopeful promise of snow. This is just a short missive to let you know a bit about the current exhibition that I have a piece of work in.

Prosodic Chapters Of Immanent Silence 2022

Oak gall ink and gesso on panel ; 122x122cm

The above painting has been accepted into the Visual Arts Scotland - Then and Now: 100 Years of VAS at the Royal Scottish Academy.

I am excited and grateful to have my painting included in this landmark exhibition. It's a substantial piece at 122 x 122cm and was selected from over 1500 entries. 242 artists will be showcased. Using my signature paint, made from locally foraged oak galls, I have made the painting with traditional gesso on sustainable poplar wood panel.

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A little background history - Who are VAS?

On a winter’s eve in Edinburgh, 1924, Visual Arts Scotland (VAS) held their first-ever meeting, becoming early pioneers of inclusivity within Scotland’s artistic landscape. One-hundred years later, the organisation has grown into a leading platform for national and international artists and now celebrates its centenary with a year packed full of opportunities for its members. To kick off 2024’s celebrations, VAS are holding their biggest-ever exhibition at the Royal Scottish Academy in Edinburgh, showcasing work from the finest contemporary artists across Scotland and beyond. THEN AND NOW: 100 YEARS OF VISUAL ARTS SCOTLAND will showcase over 300 artworks, with art ranging from ceramics, paintings, mixed media, photography, sculpture, and a variety of contemporary art forms.

VAS has seen a lot of growth and change over the past 100 years. The organisation began as The Scottish Society of Women Artists in 1924 with the aim to empower women after their contribution to the war effort. In the early 90s, the organisation’s name changed to Scottish Artists and Artist Craftsmen to embrace the high-quality experimental crafts taking place.

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The painting has already been collected by courier and I head off to Edinburgh next week to join it and shmooze with the best. Hmm, now the next problem…what to wear.

Studio journal 4

I've got a little box of watercolour tubes that I've had sitting around for a few years. My father-in-law gave them to me, his father was a painter. I, or perhaps they, have been waiting for the right time.

I've found it difficult to get motivation moving these last two weeks. It is far from a usual problem. Perhaps there's the overwhelm of moving house and trying to clear a pathway into my studio where things have been strewn amidst the chaos. Plus the bliss of finally being in a house and wanting to slack out on the sofa.

I did something I've often done when I don't know how to get started. I went to the sea. I packed my special off-piste snowboarding rucksack - used for day long adventures. It helps me to create intention of letting go and exploring what comes up. Off to find a wild, windswept, isolated beach I did.

I packed a little portable set of watercolours. Perhaps the time is right now to explore watercolour but…note to self to not drift too far into the allure of what they can do - the pooling, the reticulation - not make 'watercolour paintings' per se but to use them in my own way. For this, they seem a good quick sketching tool.

The morning started with a thick freezing fog at home, the journey to the sea opened out and the long steep walk down brought a pool of sunshine to where I positioned my belongings on a flat boulder.

The day was beautiful.

The sea was calm, small waves dolloped the shoreline dragging pebbles away with them. Such a beautiful sounds that makes you sit very still and Listen. Out at sea cloud was low and colours were limited to gorgeous greys and aqua of the small cresting waves.

By the end of the day I was watching the freezing fog roll in and envelop the beach.

Play the above video to watch waves dolloping onto the shore in fog.

Thank you for reading this. If you would like to follow this studio journal and sign-up to my newsletter for exhibition updates, inspiration and available work you can sign up at sarahpoland.co.uk/subscribe I send it out some Sunday’s at 11am.

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